Post
El Eco
From Dust to Glitter
A text that ask questions like what working on the streets means and the risks it implies for women artists.
Location
Sullivan 43, Col. San Rafael,
Mexico City, CP 06470
Hours
Tuesday to Sunday
11:00 AM – 6:00 PM
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Texto de artista
Site-Specific Sculpture or the Mythology of Place
Abstract-The author sets out her beliefs and motivations regarding her designs for specific
sculptures and environments. She achieves transparency with structures of welded steel whose
meshlike, see-through quality reflects her search to merge with the spirit of the place and to
enhance what is already there.
Entrevista
THINKING DE/LOCALIZED
What to do? Continue insufflating from the margins ideas, of how to make art a perturbing-transforming axis of human existence.
Texto de artista
The Function of the Studio
Moreover, as we shall see, the museum and gallery on the one hand and the studio on the other are linked to form the foundation of the same edifice and the same system.
Texto curatorial
COSMOS/ Eduardo Terrazas
Terrazas establishes in his work and thought an essential connection with artisanal production and geometry as a universal language.
Ensayo
Mathias Goeritz and International Concrete Poetry
Goeritz translated the principal elements of Dada as conceived at Zurich’s Cabaret Voltaire in 1916—interdisciplinary performance, abstraction, and primitivism—to the context of Mexico City in the era of the Institutional Revolution.
Texto curatorial
Enunciating Mineral Density
The arrival to black, not as a formula nor as an end but as a constant question, an excessively persistent, valiant search that reiterates a position that starts from art and from life.
Texto de artista
Site-Specific Sculpture or the Mythology of Place
Abstract-The author sets out her beliefs and motivations regarding her designs for specific
sculptures and environments. She achieves transparency with structures of welded steel whose
meshlike, see-through quality reflects her search to merge with the spirit of the place and to
enhance what is already there.
Entrevista
THINKING DE/LOCALIZED
What to do? Continue insufflating from the margins ideas, of how to make art a perturbing-transforming axis of human existence.
Texto de artista
The Function of the Studio
Moreover, as we shall see, the museum and gallery on the one hand and the studio on the other are linked to form the foundation of the same edifice and the same system.
Texto curatorial
COSMOS/ Eduardo Terrazas
Terrazas establishes in his work and thought an essential connection with artisanal production and geometry as a universal language.
Ensayo
Mathias Goeritz and International Concrete Poetry
Goeritz translated the principal elements of Dada as conceived at Zurich’s Cabaret Voltaire in 1916—interdisciplinary performance, abstraction, and primitivism—to the context of Mexico City in the era of the Institutional Revolution.
Texto curatorial
Enunciating Mineral Density
The arrival to black, not as a formula nor as an end but as a constant question, an excessively persistent, valiant search that reiterates a position that starts from art and from life.
Texto curatorial
Volcanic Rock
López Luz connects us with the notion of the elementary exercise of inhabiting and with the effects of human presence in the world.
Texto curatorial
We had to talk
We attend to a sort of in situ publication that manifests in the exhibition space, which seems to announce that’s already to late…
Texto curatorial
The Present, Tomorrow
Zaccagnini responds to the very need of the space for creating a ritual atmosphere that is not necessarily religious but transmits a spiritual elevation to generate a sense of community.
Texto curatorial
The day is blue, the silence is green, the life is yellow…
“Although my work is similar to his, in essence it tries to say the opposite. It’s just that the extremes touch.” Mathias Goeritz.
Ensayo
The Other Half of Architecture: Notes on Construction as Emotion and Emotion as Experiment
El Eco questioned the severity of the hyper-rational positivist architect, adducing that architecture, as a cross between the other arts, reflected and also had to affect the spiritual state of contemporary individuals.
Texto curatorial
Gold War Wall
Fire is at the center of everything here, as that which destroys and also clears space for the new, together with the question made by the artist: What could be a museum or an exhibition during war time?
Texto curatorial
Carnations Spring from Lapels
Vivian paints for her own ataraxy, and if there’s a desire that endures in her work, it’s that they serve to foster equal pleasure in those who look at them,
Texto curatorial
On Dynamic Plastic Arts
This show comprises a cabinet of evidences with the different routes arranged by Mérida as territories of action.
Texto curatorial
Typographic landscapes
Hansjörg Mayer takes advantage of opportunities of chance. The fortuitous nature is not mere accident or absolute chaos, rather it is a revelation.
Texto curatorial
Crushed Autogeddon//El esqueleto mineral que nos permitirá aventajar a la evolución
Both works impose a certain violence on the materials that turn into powerful sculptural gestures, capable of shaking, both literally and metaphorically, the structures.
Texto curatorial
Time will tell
In “El tiempo dirá” the way that the artists creates and lives, represent a notorious forms of adaptations in a world that has lesser guaranties of having a future.
Texto curatorial
Manifesto
Manifesto juxtaposes music and architecture, two forms of expression that employ rhythm, texture, harmony, proportion, and dynamics (according to the theories of renaissance architect Leon Battista Alberti)
Texto curatorial
Variations for Ursa
Perhaps this is why one of the recurring themes in the work of Goeritz is the desire to his artistic events to remind us the vastness of that of which we are a small part.