Texto curatorial
COSMOS/ Eduardo Terrazas
Terrazas establishes in his work and thought an essential connection with artisanal production and geometry as a universal language.
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Texto curatorial
Enunciating Mineral Density
The arrival to black, not as a formula nor as an end but as a constant question, an excessively persistent, valiant search that reiterates a position that starts from art and from life.
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Volcanic Rock
López Luz connects us with the notion of the elementary exercise of inhabiting and with the effects of human presence in the world.
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We had to talk
We attend to a sort of in situ publication that manifests in the exhibition space, which seems to announce that’s already to late…
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The Present, Tomorrow
Zaccagnini responds to the very need of the space for creating a ritual atmosphere that is not necessarily religious but transmits a spiritual elevation to generate a sense of community.
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The day is blue, the silence is green, the life is yellow…
“Although my work is similar to his, in essence it tries to say the opposite. It’s just that the extremes touch.” Mathias Goeritz.
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Gold War Wall
Fire is at the center of everything here, as that which destroys and also clears space for the new, together with the question made by the artist: What could be a museum or an exhibition during war time?
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Carnations Spring from Lapels
Vivian paints for her own ataraxy, and if there’s a desire that endures in her work, it’s that they serve to foster equal pleasure in those who look at them,
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On Dynamic Plastic Arts
This show comprises a cabinet of evidences with the different routes arranged by Mérida as territories of action.
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Typographic landscapes
Hansjörg Mayer takes advantage of opportunities of chance. The fortuitous nature is not mere accident or absolute chaos, rather it is a revelation.
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Crushed Autogeddon//El esqueleto mineral que nos permitirá aventajar a la evolución
Both works impose a certain violence on the materials that turn into powerful sculptural gestures, capable of shaking, both literally and metaphorically, the structures.
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Time will tell
In “El tiempo dirá” the way that the artists creates and lives, represent a notorious forms of adaptations in a world that has lesser guaranties of having a future.
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Manifesto
Manifesto juxtaposes music and architecture, two forms of expression that employ rhythm, texture, harmony, proportion, and dynamics (according to the theories of renaissance architect Leon Battista Alberti)
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Variations for Ursa
Perhaps this is why one of the recurring themes in the work of Goeritz is the desire to his artistic events to remind us the vastness of that of which we are a small part.