COSMOS/ Eduardo Terrazas
Terrazas establishes in his work and thought an essential connection with artisanal production and geometry as a universal language.
Terrazas establishes in his work and thought an essential connection with artisanal production and geometry as a universal language.
The arrival to black, not as a formula nor as an end but as a constant question, an excessively persistent, valiant search that reiterates a position that starts from art and from life.
We attend to a sort of in situ publication that manifests in the exhibition space, which seems to announce that’s already to late…
“Although my work is similar to his, in essence it tries to say the opposite. It’s just that the extremes touch.” Mathias Goeritz.
Fire is at the center of everything here, as that which destroys and also clears space for the new, together with the question made by the artist: What could be a museum or an exhibition during war time?
In “El tiempo dirá” the way that the artists creates and lives, represent a notorious forms of adaptations in a world that has lesser guaranties of having a future.